Discography
Roberto Fabbriciani released recordings of my works for solo piccolo on the Tactus Label March 2018.
The independent vinyl label ‘Vinyl Selection’ released my Stations of the Clyde in 2017.
Timeless Shades of Green appears on SCAW’s Timeless Shades CD on the Cuillin Sound label 2013.
Passed/Passing appears on Roberto Fabbriciani’s XX Live Dream Flute on the Atopos Label (ATP 003/4) Italy 2004
As conductor of Eduardo Miranda’s chamber orchestra work Entre o absurdo e o mistério on the portrait CD Plural on the Brazilian Fumproarte label (389.726.04-7) 2002 (Porto Alegre, Brazil)
Published Writings
Architectures of Time – an analysis of the music Jia Daqun to be published by the Shanghai University Press (2023)
Conjuring Spectral Sonic Traces – an article for The Drouth ISSN 1474 6190 Spring Issue (2017)
Hybridity of Practice and Aesthetics Between Electronic Dance and Electroacoustic Musics – a collection of edited papers for Contemporary Music Review. Published October 2016.
Atomisation of Sound – is published in the above collection, that observes the importance of granular techniques across many genres of electronic music.
Spectral Aura of the Beaubourg – a paper that looks at the contemporary music legacies that have arisen from the Beaubourg area of Paris over the last 40 years. Presented at the Glasgow School of Art’s first Leverhulme International Network of Contemporary Studies Symposium in September 2015.
Music and Technologies (Edited with Darius Kucinskas – 2012, Cambridge Scholars Publishing)
“Octaves on Music’s Expression of Place (Part I)” a text composition for The Drouth, ISSN 1474 6190 Spring Issue (2011)
“Combining Musical Constraints with Markov Transition Probabilities to Improve the Generation of Creative Musical Structures” is to be published by Springer Verlag and presented at the EvoStar 2010 conference on Evolutionary Computing, Istanbul April 2010
…and then…what next?… A paper exploring the historical presence of algorithms in music. (Published by University of Plymouth February 2010)
For the Future. On the challenges and possibilities that are posed for composers by the fields of algorithmic and evolutionary computing practice. (Contemporary Music Review Vol. 28:2. Routledge, London 2009)
Memory, Circles and Unification – in discussion with Nigel Osborne. An interview with Nigel Osborne marking his 60th birthday for The Drouth, ISSN 1474 6190 Autumn Issue (2008) (pp. 35-47)
…On the Inherent Musicality of the Words We Speak an article for, The Drouth, ISSN 1474 6190 Autumn Issue (2007) (pp. 38-9)
Edgard Varèse: New Worlds (Edited by S. Davismoon) Contemporary Music Review Routledge Publishers ISSN 0749-4467 (2004) (pp. 1–107)
Edgard Varèse…Offerings (Edited by S. Davismoon) Contemporary Music Review Routledge Publishers ISSN 0749-4467 (2004) (pp. 1–69)
The Transmutation of the ‘Old’ with the ‘New’ in the Modernist Vision of Edgard Varèse an article in Edgard Varèse…Offerings Contemporary Music Review Routledge Publishers ISSN 0749-4467 (2004) (pp. 45–58)
…octave, upon octave, …upon a text composition on the subject of music and intelligence, The Drouth, ISSN 1474 6190 Autumn Issue (2004) (pp. 36)
…infinite dimensions…infinite futures…infinite horizons in discussion with Roberto Fabbriciani, The Drouth, ISSN 1474 6190 Winter Issue (2003) (pp. 65-66)
‘unity’ (!) via instantaneous multiplicity an article on aspects of The New Complexity School for The Drouth, ISSN 1474 6190 Spring Issue (2003) (pp. 45-51)
Luigi Nono: the suspended song (Edited by S. Davismoon) Contemporary Music Review Harwood Academic Publishers ISBN 90-5755-112-8 (1998) (pp. 1-107)
Luigi Nono: fragments and silence (Edited by S. Davismoon) Contemporary Music Review Harwood Academic Publishers ISBN 90-5755-113-6 (1998) (pp.1- 138)
Marking Time an article in Luigi Nono: the suspended song Contemporary Music Review Harwood Academic Publishers ISBN 90-5755-112-8 (1998) (pp. 81 -98)
…many possibilities an article in Luigi Nono: fragments and silence Contemporary Music Review Harwood Academic Publishers ISBN 90-5755-113-6 (1998) (pp. 3-9)
Stephen Davismoon 